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  • The Conversion We Never Finish

    The Conversion We Never Finish

    Afflicted by depression, anxiety, and relentless religious doubt, Emmanuel Carrère wrote The Kingdom partly as an act of remembrance—a way of revisiting the years when belief and unbelief tore him apart with equal ferocity. He could summon every argument against faith. Years of therapy had supplied him with a formidable psychological vocabulary, while Nietzsche, Freud, and other skeptics stood ready to dismantle every religious impulse that arose within him.

    Yet every skeptical argument seemed to awaken an equally persuasive rebuttal.

    Nietzsche argued that religion is an escape from reality, a consoling fantasy that allows frightened creatures to imagine a God who knows their names and treasures their souls. Carrère’s reply is disarmingly simple: perhaps anxiety is not evidence against God but one of His instruments. Perhaps our restlessness exists precisely to drive us toward Him.

    The skeptic objects that religious conversion is merely a psychological escape hatch from despair.

    Carrère counters that despair itself may be God’s invitation to conversion.

    The debate becomes impossible to resolve because every objection is absorbed into the very faith it seeks to destroy.

    Yet Carrère eventually discovers that the greatest threat to his belief is not Nietzsche.

    It is Emmanuel Carrère.

    He confesses that he wants to believe too desperately. His longing for faith becomes evidence against the authenticity of that very faith. Like someone compulsively insisting that he is happy, the insistence itself begins to sound suspicious. The more urgently Carrère reaches for God, the more he wonders whether the reaching itself proves that God has already slipped away.

    That dilemma belongs to far more people than religious believers.

    It may describe the human condition itself.

    Our hunger for conversion explains, in part, why we go to the movies.

    For two hours we borrow another person’s destiny. We watch an ordinary soul undergo extraordinary transformation and momentarily imagine the same miracle awaiting us. We feel our throats tighten as Jor-El tells his son that he must become not merely Superman but a light to the world. For one luminous moment we are convinced that greatness, sacrifice, and moral courage are the only things that matter.

    Then the credits roll.

    The spell evaporates somewhere between the parking lot and the nearest café, where we resume discussing office gossip over coffee and cake. The desire for transformation was genuine.

    Its duration was not.

    New Year’s resolutions repeat the same ritual.

    Each January we announce that this year will be different. We join the gym. We buy immaculate workout clothes. We embrace a revolutionary diet and enthusiastically explain to friends how astonishingly “simple” the whole thing is. Six weeks later the gym card has migrated to the back of the wallet, the diet books have become decorative objects, and the only weight we’ve successfully lost is our enthusiasm.

    Social media has industrialized this cycle.

    Every week a new influencer appears bearing the latest gospel of self-reinvention. Follow this morning routine. Buy this supplement. Build this side hustle. Practice this mindset. Soon you will possess wealth, influence, discipline, admiration, and a jawline sharp enough to cut glass.

    Millions eagerly enroll in these digital revival meetings.

    Almost none experience resurrection.

    What they experience instead is rebranding.

    Life increasingly resembles a succession of false conversions.

    We repeatedly announce the beginning of a new chapter, only to abandon the manuscript after the novelty fades. We restart our lives the way aspiring novelists restart first drafts—full of magnificent intentions, derailed by boredom, distraction, or the irresistible glitter of the next shiny object.

    The modern self has become a serial convert without a church.

    We are forever renouncing one identity in favor of another, mistaking novelty for transformation and enthusiasm for character.

  • The G-Shock Boys

    The G-Shock Boys

    For decades he devoted himself to mechanical dive watches.

    His collection consumed tens of thousands of dollars, countless evenings on watch forums, and enough YouTube viewing to qualify as graduate work in horology. Every purchase promised permanence. Every new bezel, movement, and dial texture whispered that contentment was only one more acquisition away.

    Then, almost by accident, he bought a humble resin Casio G-Shock with Multiband 6 and Tough Solar.

    Everything changed.

    For the first time in his adult life, he glanced at his wrist and saw not merely the time, but the correct time. Alongside it sat the date and the day of the week, all delivered with effortless certainty. No winding. No resetting. No wondering whether the movement had drifted six or seven seconds since breakfast.

    He had quietly crossed a border.

    He had left the Kingdom of Approximate Time and entered the Republic of Accurate Time.

    The conversion brought unexpected peace.

    It also brought guilt.

    He felt as though he had betrayed lifelong companions—the mechanical-watch enthusiasts with whom he had shared triumphs, disappointments, and endless debates about lume, bezel action, and the superiority of one Swiss caliber over another. His social-media tribe suddenly felt like an abandoned religion. He experienced disorientation, grief, and the peculiar emotional wreckage that accompanies every genuine conversion.

    Confused, he confided in a trusted colleague.

    The man listened patiently and nodded.

    “I think you’re ready,” he finally said.

    “Ready for what?”

    “The House of Resin.”

    Perched atop one of the hills in Palos Verdes stood a sprawling Mediterranean mansion known only among initiates as The House of Resin.

    It existed for one purpose: helping newly converted souls orient themselves to life inside Accurate Time.

    Desperate, our hero made the pilgrimage.

    The front door swung open to reveal a portly, smiling gentleman who bore an uncanny resemblance to Sebastian Cabot. His cheerful eyes suggested that nothing in the universe surprised him anymore.

    “Welcome,” he said warmly. “I’m Jaunty.”

    The living room resembled an English country house designed by Casio. Bach cello suites floated through magnificent loudspeakers. Delicate porcelain cups brimmed with tea. Crackers of suspiciously exceptional quality circulated on silver trays.

    Around the room sat a dozen men.

    Every one of them wore a G-Shock.

    Every one of them looked profoundly uncomfortable, like survivors of a shipwreck who had somehow washed ashore in paradise but still missed the sinking vessel.

    After the tea had been poured and the crackers consumed, Jaunty’s smile disappeared.

    His posture stiffened.

    His eyes narrowed.

    “The time for pleasantries has ended.”

    Silence swallowed the room.

    “You are here because you have awakened. You have escaped Approximate Time, but you are not yet free. Freedom demands sacrifice.”

    He paused.

    “The first step is simple.”

    Another pause.

    “You will sell every mechanical watch you own.”

    A collective gasp swept through the room.

    “You will donate the proceeds to organizations that feed the hungry. Research them carefully. Find those worthy of your trust.”

    His voice softened.

    “You cannot carry two kingdoms on one wrist.”

    No one argued.

    The command possessed the quiet authority of Scripture.

    Within days the watches were gone.

    The strange thing was not the loss.

    It was what followed.

    Every man felt lighter.

    Younger.

    More awake.

    Many developed an overwhelming urge to walk for hours. During those solitary journeys, decades of buying, selling, flipping, chasing limited editions, and refreshing dealer websites replayed in vivid detail.

    They watched themselves as though observing strangers.

    Marionettes dancing on strings they had never noticed.

    As realization deepened, their pace quickened.

    Many found themselves crying.

    Not polite tears.

    Not cinematic tears.

    The deep, involuntary tears that arrive when an illusion finally surrenders.

    They no longer cared who saw them.

    The tears required no apology.

    The following week they returned.

    Each told essentially the same story.

    Jaunty nodded.

    “Excellent.”

    Then his expression darkened.

    “Do not mistake liberation for completion.”

    He explained that exhilaration would eventually give way to doubt, loneliness, and nostalgia. Recovery always progressed that way.

    Then he introduced Step Two.

    “You will train.”

    The men looked puzzled.

    “You will exercise four days each week. Lift weights. Swing kettlebells. Practice yoga. Climb ropes. Do calisthenics. I do not care what discipline you choose. Your body has spent years transporting your obsession. It is now time for your obsession to transport your body.”

    One participant timidly raised his hand.

    “Ever since selling my watches I’ve been walking two hours every day.”

    The others nodded enthusiastically.

    “So have we.”

    Jaunty smiled kindly.

    “Those are not workouts.”

    “What are they?”

    “Exorcisms.”

    The room fell silent.

    “They are necessary.”

    “But they do not count.”

    Within days the men discovered the irresistible simplicity of a twenty-five-pound kettlebell and an online instructor promising complete physical transformation through twelve exercises performed in a continuous one-hour circuit.

    Every garage became a monastery.

    Every kettlebell became a sacrament.

    By the third week something extraordinary began happening.

    Crows appeared.

    One landed on a fence and clearly announced,

    “Casio.”

    Another cried,

    “G-Shock.”

    A third declared,

    “Solar.”

    When the men nervously described these encounters, Jaunty beamed.

    “Entirely normal,” he assured them.

    “The crows always come.”

    “What should we do?”

    “Feed them breadcrumbs.”

    By the fourth week, no one arrived wearing ordinary clothes.

    Their bodies had changed.

    Their old wardrobes no longer fit—not physically or psychologically.

    Athletic clothing had become their natural attire.

    Their wrists displayed beloved G-Shocks with the quiet confidence formerly reserved for Swiss luxury.

    Jaunty surveyed them with unmistakable satisfaction.

    “You have completed your initiation.”

    He dimmed the lights.

    “For your graduation…”

    “…I have prepared a film.”

    The title appeared.

    THE G-SHOCK BOYS

    Part documentary.

    Part infomercial.

    Part religious testimony.

    It chronicled every stage of their transformation—from obsessive collectors imprisoned by luxury to cheerful disciples liberated by resin, solar charging, and atomic time.

    Against every expectation, the film became a worldwide sensation.

    Clips flooded social media.

    Millions watched.

    Soon the men found themselves traveling the globe, not to discuss watches, but to explain the strange freedom that arrived only after they stopped believing that another purchase could save them.

    They still wore watches.

    They had simply stopped asking them to tell them who they were.

  • Good Enough or As Good as It Can Be?

    Good Enough or As Good as It Can Be?

    Left to my own devices, I would eat like a monk with low standards and no culinary imagination. If I were a bachelor living alone, my menu would consist of oatmeal, yogurt, bananas, protein shakes, and peanut butter, repeated with liturgical regularity until death or scurvy intervened. Meal preparation, in my ideal world, should require almost no preparation and even less cleanup. If I can eat standing over the kitchen sink and spare myself the burden of washing a plate, I consider that a small triumph of civilization.

    Marriage and children have prevented me from fully indulging this philosophy.

    Fortunately for my nutritional health—and unfortunately for my laziness—other people insist on actual meals.

    My instinct toward optimization, however, resurfaces elsewhere. When planning family outings, my ideal destination is always the closest one. The fewer miles on the odometer, the happier I become. Beach picnic? Wonderful—as long as the beach is practically in the backyard. Restaurant? Excellent—as long as I don’t have to cross two freeways to reach it.

    Vacation travel follows the same principle.

    Five hours on an airplane is my absolute ceiling. Beyond that, my claustrophobia stages a hostile takeover of my personality. I stop resembling a husband on holiday and begin resembling Cinderella’s forgotten stepbrother, slowly decomposing into a resentful pumpkin somewhere over the Pacific.

    Clearly, I possess a strong instinct toward efficiency.

    Yet I have gradually realized that some parts of life cannot survive this instinct.

    An essay should never be merely good enough. It should be rewritten until every sentence earns its place and every paragraph justifies its existence. Likewise, a composer may spend years reshaping a single piece until it finally matches the elusive musical vision that first appeared in the imagination. The original spark deserves nothing less.

    That realization has led me to think that human beings generally organize their lives around one of two competing philosophies.

    The first is Optimization Ethics.

    Optimization Ethics seeks to maximize efficiency, profit, and measurable return while eliminating effort that produces diminishing rewards. It asks a relentlessly practical question:

    How good does this need to be?

    The second is Maximalist Ethics.

    Maximalist Ethics begins from a completely different premise. It holds that excellence possesses intrinsic worth. The highest obligation is not to satisfy expectations but to produce the fullest, richest, and finest work one is capable of, even when no customer notices, no employer rewards it, and no spreadsheet can justify the additional effort.

    Its governing question is equally simple:

    How good can this become?

    I encountered perhaps the clearest illustration of these competing philosophies while watching Mike Holst’s YouTube channel, This Watch, That Watch. Discussing whether Grand Seiko deserves its reputation, Holst makes an observation that reaches far beyond horology:

    “The key difference between Rolex and Grand Seiko is that Rolex generally makes a watch that is as good as it needs to be for the price. Grand Seiko chooses to make a watch that is as good as it can be for the price.”

    That may be one of the most insightful business observations I’ve heard in years.

    Rolex asks, What level of excellence justifies a $15,000 watch?

    Grand Seiko asks, What is the finest watch we know how to build for $15,000?

    Those are not merely different manufacturing strategies.

    They are different moral imaginations.

    Rolex operates according to what I would call Adequacy Culture. Its goal is to satisfy expectations with extraordinary consistency while carefully managing costs, margins, and brand prestige. There is nothing inherently wrong with this approach. It has produced one of the most successful luxury companies in history.

    Grand Seiko, by contrast, embodies Abundance Culture.

    Its instinct is to give more than circumstances require—to lavish finishing on surfaces few owners will ever examine, to polish components hidden from casual view, to pursue refinements that accountants would probably classify as unnecessary and customers may never consciously notice.

    One philosophy asks, Have we done enough?

    The other asks, Have we done our best?

    That distinction extends far beyond watches.

    A teacher can prepare the lecture that fulfills contractual obligations or the lecture students will remember twenty years later.

    A physician can treat symptoms or relentlessly pursue the best possible outcome.

    A novelist can submit a manuscript that is publishable or continue revising until every page feels inevitable.

    A marriage can consist of meeting expectations or continually exceeding them.

    If you are about to spend ten or twenty thousand dollars on a watch, you must decide which philosophy you wish to reward. Would you rather buy from a company whose guiding question is, What do we have to do? Or from one whose guiding question is, What is the finest thing we know how to make?

    Rolex has built one of the greatest brands in the world.

    Grand Seiko has built one of the greatest arguments for excellence.

    Those are not the same achievement. In the long run, they may not even belong to the same philosophy of life.

  • The Demon Lake and Heavenly Noodles

    The Demon Lake and Heavenly Noodles

    For the past two nights my subconscious has apparently dispensed with realism altogether and hired a surrealist screenwriter.

    The first dream began with an assignment that would have challenged even the most ambitious evolutionary biologist. I was ordered to travel millions of years into the past to locate one of my primordial ancestors—a prehistoric shark. Armed with nothing but a pair of pliers and inexplicable confidence, I extracted the shark’s razor-sharp teeth and painstakingly strung them into a necklace.

    This was no ordinary necklace.

    It had become my official faculty lanyard at the college where I teach.

    Somehow I lost it.

    The college president responded with the righteous fury usually reserved for embezzlement or plagiarism. She informed me that unless I journeyed back through evolutionary history, located the same prehistoric shark, and painstakingly reconstructed the necklace, I would be fired.

    The situation struck me as hopeless.

    How had I misplaced something so miraculous? How does one retrace one’s steps across millions of years? More importantly, how could anyone recreate a necklace that seemed less handcrafted than divinely manufactured? The shark’s teeth no longer felt like jewelry. They had become sacred relics, and I had managed to lose them somewhere between the Devonian Period and faculty parking.

    I awoke relieved that neither the necklace nor the disciplinary hearing had actually existed.

    Then came the following night.

    This time I found myself standing beside a dark lake surrounded by hundreds of people.

    Everyone issued the same warning.

    Do not disturb the water.

    A demon slept beneath the surface, they explained, and if awakened it would unleash unimaginable destruction upon us all.

    Unfortunately, I happened to be holding a very long stick.

    The human race has a long and distinguished history of ignoring good advice simply because the forbidden object happens to be within arm’s reach. Give Adam an apple, Pandora a box, or me a suspicious lake and an unnecessarily long pole, and curiosity will almost always defeat wisdom.

    Naturally, I stirred the water.

    The demon awoke.

    The earth shuddered. The air vibrated. Reality itself seemed to tremble as the creature announced its displeasure.

    People screamed.

    I was terrified.

    Yet there was one surprising consolation. I was frightened collectively rather than privately. Most of my nightmares isolate me inside my own panic, but this time hundreds of us shared the catastrophe. Terror, it turns out, becomes marginally more bearable when it has company.

    Eventually the demon grew bored with intimidating us and retreated once again into the depths.

    The dream then executed one of those abrupt transitions that only dreams consider perfectly logical.

    I stepped into an elevator.

    When the doors opened, I found myself in an ethereal kingdom devoted entirely to noodles.

    Not ordinary noodles.

    Transcendent noodles.

    Families, many of them from Taiwan, wandered the heavenly complex with unmistakable pride, as though civilization itself had culminated in this celestial noodle palace. They smiled with the quiet confidence of people who knew they possessed the finest cuisine in the universe.

    Hungry, I asked one family where I could find the noodle bar.

    Beaming, they pointed north.

    I confidently walked in precisely the direction that would ensure I never reached it.

    Instead, I became hopelessly lost, descended a spiral staircase, and somehow ended up asleep in the damp basement of a forgotten library.

    When I awoke inside the dream, I remembered the noodles.

    I was starving.

    Yet I had become too exhausted to climb back upstairs in search of them.

    So I settled for imagination.

    Unable to eat the heavenly noodles themselves, I pictured them so vividly that I convinced myself they might sustain me until I found the strength to move.

    Perhaps that final scene is the most revealing of all.

    Most of us spend our lives chasing some version of those heavenly noodles—peace, happiness, God, retirement, artistic achievement, perfect love, or simply the conviction that life has finally become what it was always meant to be. We receive directions. We begin confidently enough. Then we wander into the wrong corridor, descend a staircase we never intended to take, and wake up in the dusty basement of our own lives, too weary to continue.

    So we nourish ourselves with imagination until hope returns.

  • The Trapdoor Effect

    The Trapdoor Effect

    Alfred North Whitehead argued that religion arises from the desire to discover permanence in a transient world. Schopenhauer believed religion exists because we fear death. Tolstoy reached a more demanding conclusion. Death, he argued, forces us to make a choice: either surrender to despair or reshape our lives so that death cannot rob them of meaning. For Tolstoy, that reckoning culminated in religious conversion.

    Most of us encounter this reckoning in waves. There are seasons when mortality remains an abstraction, politely waiting its turn. Then there are moments when it barges through the front door and makes itself at home.

    The first time that happened to me was in 2004 with the death of football legend Reggie White. He had been born only a month after I was. At forty-three, he died from a cardiac arrhythmia related to sleep apnea. His death shook me, but I eventually regained my footing.

    Then came Lance Reddick.

    His death in 2023 hit me with far greater force. Reddick was sixty—my age. On screen he projected effortless authority. He played towering, intimidating police officers, wore a Tag Heuer as Chief Irvin Irving in Bosch, and somehow combined physical power with artistic refinement as an accomplished jazz pianist. He seemed built to endure. Seeing a man who embodied such strength simply vanish was profoundly disorienting. Nearly every day for the past three years, his death has crossed my mind.

    As if that weren’t enough, Facebook has become an obituary page for my adolescence.

    High school classmates—people who were posting vacation photos, political opinions, and pictures of their grandchildren only weeks earlier—suddenly reappear as memorial tributes. Healthy faces become framed portraits. Birthday wishes become eulogies. A life that looked perfectly ordinary on Tuesday has become a remembrance by Friday.

    The algorithm has quietly become an undertaker.

    Against that backdrop, my own routines begin to feel faintly absurd.

    There I am on my exercise bike, obsessed with burning exactly seven hundred calories in under an hour. I calculate how many grams of omega-3 a can of salmon will contribute to lunch. I debate whether next week’s garage workout should include walking lunges with twenty-pound kettlebells. I fine-tune my health strategy with the seriousness of a NASA engineer.

    And yet another part of me whispers that I am merely organizing deck chairs above a collapsing floor.

    At times I feel consumed by what I call The Trapdoor Effect: the unsettling awareness that beneath the routines of ordinary life—planning meals, exercising, paying bills, booking vacations, arguing over cholesterol, buying retirement clothes—lies an invisible trapdoor that may open without warning. We behave as though the future belongs to us, when in fact we possess nothing more than a reasonable expectation that tomorrow will resemble today.

    That expectation is comforting.

    It is also, perhaps, life’s most necessary illusion.

  • I Am a Citizen of Paradise

    I Am a Citizen of Paradise

    Last night after dinner, we were sitting at the kitchen table debating whether to try a new Thai ice cream shop at the mall when my wife informed me that I would first have to change my clothes.

    The tank top had to go.

    She explained that my tropical tank tops were perfectly acceptable within the privacy of our home, but exposing innocent members of the public to them was an entirely different matter.

    Then came the indictment.

    “You have a uniform,” she said.

    She was right.

    Twelve months a year I rotate through the same ensemble: a brightly colored tank top emblazoned with Miami or Maui, gym shorts, and flip-flops. It doesn’t matter whether the calendar says July or January. My wardrobe insists that I am perpetually fifty yards from a beach.

    I cannot dispute the charge.

    Somewhere along the way, this ceased being casual clothing and became an identity.

    I suspect my wardrobe reveals more about my aspirations than my fashion sense. For years I have fantasized about retirement, tropical climates, and that peculiar feeling of transcendence that overtakes me whenever I stand in a warm tropical rain. There is something about those moments—the humid air, the gentle rain, the lush vegetation—that dissolves the ordinary boundaries of time. Eternity no longer feels like a distant theological concept but like a change in the weather.

    Perhaps that is why I continue to dress as I do. Deep down, I am still that eight-year-old boy on Venado Court, pedaling his bicycle through a warm summer drizzle, convinced that the flashing blue lights on the distant horizon could only mean one thing: Christmas had somehow arrived in July. I am still chasing that impossible moment when the world briefly shimmered with enchantment and the ordinary became a gateway to paradise.

    Looking at my wardrobe through that lens, I realize I have been practicing what I call Paradise Cosplay: the habit of dressing as though one already inhabits the life one longs for, using clothing less as protection from the elements than as a costume for an imagined future.

    My shirts are less garments than promissory notes.

    Unfortunately, imagination has a way of flattering itself.

    The man I picture is a serene retiree strolling barefoot beneath palm trees, liberated from deadlines, meetings, and alarm clocks.

    The man reflected in the mirror looks more like a retired police sergeant or former offensive lineman wandering the suburbs after escaping from a backyard barbecue. The tank top clings with unwarranted confidence. The flip-flops slap against the pavement with all the elegance of a harbor seal. The overall effect suggests not “citizen of paradise” but “guy who might spend thirty minutes explaining the proper way to grill bratwurst.”

    My wardrobe, in other words, is less a triumph of sartorial judgment than a wearable wish-fulfillment fantasy.

    Still, I find it oddly comforting.

    Perhaps we all dress, at least in part, for the lives we hope to inhabit rather than the ones we actually possess. Some people wear power suits because they dream of becoming CEOs. Others wear designer labels because they aspire to glamour. I wear Miami across my chest because I long to believe that somewhere, just beyond the next chapter of life, warm rain is falling, palm trees are swaying, and retirement is finally waiting for me.

    I find a peculiar irony in all of this. I long for sacred time, for heaven breaking into ordinary life, yet the more intense that longing becomes, the tackier my wardrobe grows. I have fallen victim to Aspiration Kitsch: the phenomenon in which our deepest hopes become embodied in sentimental, commercial, and aesthetically questionable objects that are laughably inadequate substitutes for the realities they promise.

    A wiser man might have settled on something understated and elegant. He might have adopted the quiet sophistication of yoga attire and looked like someone who occasionally reads Rilke before meditation.

    Instead, I dress like a retired Parrot Head who has spent twenty years marinating in the food court of Margaritaville. I resemble one of those sunburned Floridians lounging on a pool float outside an Orlando condo, nursing a neon-blue cocktail the color of windshield washer fluid while Jimmy Buffett assures him that wasting away is a perfectly respectable retirement strategy.

    The contrast is almost theological.

    I yearn to inhabit a world of dignified enchantment, where warm tropical rain feels like a sacrament and eternity brushes against the present moment.

    My wardrobe keeps insisting that my highest spiritual aspiration is happy hour.

  • Christmas Lights in July

    Christmas Lights in July

    Venado Court in San Jose was my childhood Garden of Eden. Even now I can summon its atmosphere with embarrassing ease. Roses and honeysuckle drifted through the air alongside the unmistakable perfume of fabric softener escaping from open laundry rooms. Every front yard looked as though it had been groomed for a magazine cover, with dazzling flowerbeds and lawns so immaculate they bordered on moral instruction. My friends and I wandered this paradise clutching Matchboxes, Hot Wheels, and G.I. Joes as if they were sacred relics. Somewhere nearby, a transistor radio played the Beatles’ “Penny Lane,” giving the neighborhood its own soundtrack.

    Then came the summer of 1969.

    My friend Billy and I circled the court on our brand-new bicycles. The weather was impossibly beautiful—warm enough for shorts yet accompanied by a gentle drizzle. Rain in July felt less like weather than divine improvisation. The tiny drops landed on our faces with such tenderness that they stirred emotions we were too young to name. We rode through them in a state bordering on ecstasy.

    But the drizzle was merely the opening act.

    Across a distant field, we saw a flashing blue light.

    There could be only one explanation.

    Christmas.

    Not ordinary Christmas.

    Christmas in July.

    One of us shouted, “Christmas lights!”

    The other echoed it immediately, as though confirming a revelation.

    We stared at that flickering blue light with complete conviction. Somewhere beyond the field, impossible things were happening. Surely Christmas pies were cooling on windowsills. Presents were being opened. Eggnog was flowing despite the summer heat. Somewhere, a family had escaped the tyranny of the calendar and was celebrating the most magical day of the year whenever it pleased.

    The details scarcely mattered. What mattered was that we believed.

    Again and again we shouted, “Christmas lights!” like two ecstatic prophets announcing a miracle no one else had yet noticed.

    Looking back, I think Billy and I had fallen under what I call the Christmas Light Effect: the tendency of children to transform an ambiguous sensory stimulus into an overwhelming experience of wonder, allowing imagination to construct a reality far richer than the physical evidence deserves.

    Children are gloriously terrible empiricists. They see one flashing light and invent an entire civilization around it.

    That memory returned to me while reading Emmanuel Carrère’s account of his conversion through the Gospel of John.

    While Emmanuel attended a church reading, Father Xavier came to the familiar story of Peter and the other disciples returning to their fishing boats after Jesus’ death. A stranger appeared on the shore and instructed them to cast their nets on the right side of the boat. The nets came back so heavy with fish that they immediately recognized the stranger.

    It was the Lord.

    Then Carrère encountered a passage that appeared shortly after, one that struck him with the force of personal revelation.

    Jesus tells Peter that when he grows old, he will no longer dress himself. Others will lead him where he would rather not go.

    For most readers, the verse slips quietly past.

    For Carrère, it exploded.

    He heard it saying something altogether different:

    “Let yourself go. It is no longer you who leads.”

    He experienced what I think of as Vocational Gravity: the force exerted by a calling, an idea, or a divine command that gradually pulls a person away from the life he naturally prefers toward one he never would have chosen for himself.

    The attraction is strangely paradoxical.

    Surrender promises relief because the burden of self-authorship is lifted. Yet it also demands obedience. The force now directing your life has no obligation to respect your preferences. It will lead you into unfamiliar country, asking you to exchange comfort for transformation.

    Remarkably, Carrère realized that this was precisely what he wanted. He wanted to stop navigating by the small compass of his own desires. He wanted to be led somewhere beyond himself, even if the journey required walking directly toward the places he instinctively avoided.

    I cannot help wondering whether the Christmas Light Effect and Vocational Gravity are distant cousins.

    Perhaps both begin with the same interruption.

    Something flashes unexpectedly on the horizon.

    To everyone else it is merely another blue light.

    To you it is Christmas.

    Or God.

    Or your vocation.

    Or the beginning of a completely different life.

    Perhaps religion begins there—not with certainty, but with enchantment. A person catches sight of something that others dismiss as ordinary and cannot look away. Imagination awakens first, faith follows behind, and before long the old map of life no longer seems adequate. Comfort loses its authority. A new destination appears over the horizon.

    Most people keep riding.

    A few turn their bicycles toward the mysterious blue light. And once they do, they discover that the real miracle was never waiting in the distant field.

    It was the willingness to believe there might be something there worth finding.

  • The Things We Cannot Live Without

    The Things We Cannot Live Without

    As an adolescent, Emmanuel Carrère was unhappy, but he remained buoyant because he believed in the two assets he trusted above all others: his intellect and his identity as a writer. Intelligence served as his life raft. Irony gave him distance from despair. Even misery becomes manageable when you can narrate it with style.

    That strategy collapsed when he turned thirty.

    The faculties that had once sustained him simply stopped working. He could no longer marshal his intelligence against himself. Reflecting on that period, he writes, “I could no longer write, I didn’t know how to love, I knew I wasn’t particularly likable. Just being me became literally unbearable.”

    He had reached what might be called a collapse of competence: the moment when the qualities that once anchored your identity—talent, discipline, intelligence, status, creativity, charm—suddenly fail to hold your weight. The scaffolding of the self buckles. You are forced to search for an entirely different foundation because the old one has become a condemned building.

    When Carrère confessed his misery to his godmother Jacqueline, he expected sympathy. Instead, she was delighted.

    As a devout Catholic, she believed despair was not a catastrophe but a prerequisite. Only when a person finally recognizes that his life has become an uninhabitable ruin is he prepared to hear the Gospel. Pride must first exhaust itself.

    She placed a New Testament in his hands and instructed him to read it without trying to be “too intelligent.”

    That advice carries a sly paradox. Intelligence, the very faculty Carrère had relied upon for survival, had become the obstacle. Jacqueline was asking him to stop treating the Bible as a puzzle to master and instead allow it to master him.

    During that same summer of 1990, Jacqueline introduced Emmanuel to her other godson, Hervé. The two men gradually became close friends.

    Hervé was, by temperament, a philosopher disguised as a journalist. Though professionally successful, he was perpetually haunted by questions that most people manage to outrun. Why are we here? What is life for? Is there some purpose behind our existence, or are we simply decorating a cosmic waiting room until the lights go out?

    Watching Hervé, Carrère concludes that humanity divides rather neatly into two camps.

    The first group rarely loses sleep over metaphysical questions. They pursue promotions, vacations, romance, gossip, consumer pleasures, status games, and the endless sport of comparing themselves to everyone else. Their calendars stay full enough to prevent existential reflection from getting a word in edgewise.

    The second group cannot escape those questions. They are pursued by them like debt collectors. They read philosophy and religion not because such books are fashionable but because they are desperate. They are trying to determine whether existence contains an author or merely an audience.

    Looking back years later, Carrère recognizes that Hervé’s spiritual curiosity had been quietly cultivated by Jacqueline, who gently nudged him toward Christianity. Their religious journeys eventually diverged, but their friendship endured.

    For decades they have gathered regularly in the Swiss village of Le Levron, spending time together in a chalet that Carrère calls his querencia.

    The Spanish word comes from bullfighting. A querencia is the part of the arena where the bull instinctively retreats because it feels secure there. It is the place from which the animal regains its strength before reentering the fight.

    For Carrère, the metaphor is perfect. He arrives troubled and leaves restored.

    Everyone should have a reliable querencia.

    Mine, during the 1970s, was Walt’s Gym, a converted chicken coop perfumed with ancient sweat, rust, and enough menthol muscle ointment to fumigate a county. Men joyfully abused their bodies in pursuit of impossible physiques while punctuating every set with gossip, insults, bad jokes, and elaborate storytelling. It was less a fitness center than a monastery dedicated to testosterone and nonsense. The barbells built muscle. The banter built men.

    Then the corporate gyms arrived.

    The chicken coop gave way to chrome, televisions, smoothie bars, biometric scanners, and motivational slogans printed by people who had clearly never deadlifted anything heavier than a marketing proposal. By 2005 I had had enough. I quit.

    For the past twenty years my querencia has been my garage.

    There I swing kettlebells, flood my brain with an hour’s worth of endorphins, keep company with favorite podcasters, and temporarily escape the increasingly exhausting experience of being myself. I enter carrying the accumulated static of the world. I leave feeling that someone has quietly reset my nervous system.

    I envy Carrère because his querencia involves another human being.

    Mine is solitary.

    There was a time when it wasn’t.

    During the late 1980s a group of us played basketball at a Berkeley community center before heading out for dinner. Those evenings stitched together a sense of belonging that no amount of solitary reflection could duplicate.

    Later, after moving from the Bay Area to the California desert for my first teaching job, loneliness became my regular companion. Once each week I would spend two-hour marathons on the telephone with old friends. By the end my ear literally hurt from holding the receiver.

    Those conversations nourished me in ways I didn’t fully appreciate at the time. Someone had willingly given me two hours of his life. That simple fact quietly testified that I mattered.

    Then phone conversations disappeared in the early 2000s.

    Texting replaced talking. Social media replaced lingering conversation. We became experts at remaining connected while carefully avoiding communion.

    So today my querencia is almost entirely solitary.

    Yet I continue to experience what I think of as the Querencia Effect: the restorative power of a place, ritual, or recurring practice that allows someone to arrive emotionally depleted and leave psychologically renewed. It is the sanctuary where a fractured self is quietly reassembled before returning to the arena.

    Still, I worry.

    As I approach sixty-five, my refuge depends almost entirely upon a body that grows older every year. One day it may no longer tolerate sixty-minute kettlebell sessions or long rides that leave me happily awash in endorphins.

    I think of a bodybuilder I once read in a muscle magazine. His ambition was beautifully uncomplicated. He wanted only one thing from God: the privilege of lifting weights for as long as he remained alive.

    Then I think of Ronnie Coleman.

    No professional bodybuilder punished himself more ferociously. His reward has been dozens of back surgeries and chronic pain that would persuade most people never to enter another gym.

    Yet there he is, sometimes maneuvering through the weight room in a wheelchair because, pain or no pain, he still needs to touch the iron.

    Some dependencies are pathological.

    Others are redemptive.

    The difficulty is that the line between them often becomes visible only after it has been crossed.

    Years ago I had a colleague who was, in his own eccentric way, a genius. He ignored lesson plans, dismissed required evaluations with cheerful contempt, wore the same uniform of white T-shirt and blue jeans, and simply walked into class and talked. Students adored him. Passing me on campus, he would grin and greet me with a sarcastic profanity, as though the world’s absurdity deserved nothing more sophisticated.

    I attended his retirement party in 2004.

    A few years later I learned he had taken his own life.

    Cannabis had become his querencia. When a medical diagnosis made it impossible for him to continue using it, the refuge disappeared. Without it, life became intolerable. His wife found him dead from a self-inflicted gunshot wound.

    That story has haunted me for years because it exposes an uncomfortable truth.

    We eventually become dependent upon the very things that rescue us.

    If tomorrow my body informed me that I could never exercise again, I don’t believe I would follow my colleague’s path.

    The first reason is simple: I love my wife and daughters more than I love my own comfort. The collateral damage would be unforgivable.

    The second reason is considerably less noble.

    I am a coward.

    Cowardice, on occasion, has surprising moral utility. It keeps a person from making irreversible decisions during temporary despair.

    Besides, the last thing I want is to arrive before God having chosen the emergency exit, only to be asked why I abandoned the arena before the fight was over. There are many questions I would like to avoid on Judgment Day.

    That is certainly one of them.

  • Once You Have Seen Hell, You Cannot Unsee It

    Once You Have Seen Hell, You Cannot Unsee It

    As Emmanuel Carrère looks back on the three years in which he surrendered himself to Christianity—humbling himself before his wife, striving to extinguish his ego, and attempting to become genuinely selfless—he reflects on what he calls the modern culture’s “tyranny” of self-esteem. As a novelist, he recognizes that his inflated opinion of himself was never evidence of a flourishing soul. Quite the opposite. His ego had become a pressure cooker, curdling beneath the weight of its own self-absorption.

    Reading Carrère, I found myself thinking about a word that has become our generation’s secular sacrament: clout.

    For much of my life I confused clout with happiness.

    If I built the perfect physique and unfurled a sweeping lat spread without pharmaceutical assistance, I would possess clout. If I became a published author, I would possess clout. If I glided silently through life in a Lexus, sealed inside its premium cocoon like an astronaut piloting a luxury spacecraft, I would possess clout. If I owned a home with a lavish swimming pool, a gazebo, and enough outdoor elegance to make friends feel as if they had wandered into a boutique resort, I could congratulate myself on my generosity while secretly admiring the prestige my generosity purchased. If I renovated my own bathrooms and kitchen after heroic pilgrimages to Home Depot, demonstrating equal parts craftsmanship and architectural genius, surely people would respect me.

    Or so the fantasy went.

    But was I really chasing clout? Or was I pursuing what my Jewish upbringing called the abundant life?

    That vision of abundance was not vulgar materialism. It was a life woven together from education, meaningful work, financial security, family, health, longevity, and a moral existence measured by a long necklace of mitzvahs—good deeds performed not for applause but because they made the world more habitable. Surely there was nothing shameful about wanting such a life.

    My mother certainly thought so.

    She watched my Christian period—from 1979 to 1982—with increasing alarm. To her, I seemed detached from myself, forcing a smile while surrendering my personality to an austere faith that steadily crushed my spirit.

    The breaking point came whenever I asked my Christian friends about my great-grandmother Edna, who had escaped the antisemitic pogroms of Poland. Was she in heaven?

    They shrugged.

    She had rejected Christ.

    She had squandered her opportunity.

    That’s the way the cookie crumbles.

    The theological indifference stunned me. My great-grandmother’s courage, suffering, and endurance counted for nothing beside a doctrinal formula.

    My mother saw all this before I did.

    Whenever I announced that I was attending a Christian wedding, she would shake her head and predict a chilly, restrained affair. It would never possess the noisy warmth, laughter, dancing, argument, food, and overflowing affection of a Jewish wedding.

    I hated admitting that she was usually right.

    She wanted me to become not merely successful but warm, generous, and fully alive. The abundance she envisioned overflowed into family, celebration, hospitality, and community.

    Christianity, as I experienced it then, taught me something very different. Everything I had once admired—family success, professional achievement, material comfort, even the simple pleasure of earthly happiness—could become little more than consolation prizes for souls destined to spend eternity in hell.

    Carrère arrived at a similar conclusion during his own Christian years. Looking back decades later, he describes his worldly ambitions as a “tiring illusion.” To follow Christ meant relinquishing the will to power rather than decorating it with religious language.

    Easy enough to write.

    Excruciating to live.

    Many are called. Few are chosen.

    Yet when Carrère rereads the notebooks from that period, something unexpected happens.

    The entries are undeniably sincere. They overflow with religious fervor. But they also strike him as pompous, as though written by someone performing holiness rather than inhabiting it. He scarcely recognizes the man who wrote them.

    Even more revealing is a letter from that period. Despite pages of pious reflection, it never mentions the most important fact: he and his wife were miserable.

    They were fearful.

    They were neurotic.

    They drank too much.

    Each blamed the other for a shared unhappiness.

    Meanwhile Carrère felt powerless. Worst of all, he had lost the ability to write, which he considered his sole reason for existing.

    His piety floated serenely above a life that was quietly falling apart.

    That realization forces uncomfortable questions.

    Was religion functioning as a bandage placed over wounds that required surgery?

    Was it an Alka-Seltzer for the soul—a fizzing tablet dropped into a glass of psychic distress that created the comforting illusion of healing while leaving the underlying illness untouched?

    When life collapses, do people sometimes reach for religion because it offers certainty when ambiguity becomes unbearable? And when they emerge with a newly religious identity, have they genuinely changed, or have they manufactured a spiritual doppelgänger that reassures them they are finally on the right path?

    These questions haunt me because I also possess Christian heroes.

    I admire Rufus Jones.

    I admire Dale Allison.

    What draws me to them is not an obsession with damnation but an unmistakable affection for God. Their Christianity seems animated by love rather than terror.

    Allison has even written that he and his wife deliberately refused to teach their children the doctrine of hell. They wanted faith to arise from love, not fear.

    I envy that freedom.

    I cannot imitate it.

    Hell has occupied too much territory in my imagination for too many decades.

    Jesus spoke of it often.

    As a young man I lived beneath its shadow.

    I have awakened from nightmares in which I was crushed beneath the weight of eternal punishment, buried alive beneath the earth, unable to move, unable to breathe, unable to escape.

    Some visions, once seen, cannot be unseen.

    For me, hell has become inseparable from Christianity itself.

    That is why I sometimes feel that Rufus Jones and Dale Allison inhabit a gracious spiritual country whose borders remain closed to me.

    I long for the Christianity they describe, yet I cannot silence the old questions.

    If Christianity alone possesses the road to heaven, what becomes of my Jewish hero Viktor Frankl? After surviving Auschwitz and teaching the world that meaning can outlive suffering, was he nevertheless condemned to the same fate my Christian friends assigned to my great-grandmother Edna?

    That possibility does not merely disturb me.

    It breaks my heart.

    And every time I try to step toward Christian faith, I hear again the casual shrug that accompanied their verdict:

    “That’s the way the cookie crumbles.”

    If that is Christianity, I find myself standing once more at its threshold—wanting desperately to enter, yet unable to cross.

  • The Gospel According to the Donkey Calf Raise

    The Gospel According to the Donkey Calf Raise

    Though both are skeptics of institutional religion, public intellectuals Sam Harris and Alain de Botton arrive at the same uncomfortable conclusion: secular life suffers from a poverty of ritual and community. Religion, for all its theological disputes, excels at gathering people together and giving shape to life’s milestones. The secular world has become remarkably proficient at dismantling these institutions, but far less capable of replacing them. The result is a culture populated by isolated individuals wandering through private existential crises, each convinced that loneliness is a personal defect rather than a social condition.

    Human beings require more than ideas.

    They require liturgies.

    Which brings me to the Donkey Calf Raise.

    The Donkey Calf Raise is bodybuilding’s enduring proof that lifters will gladly sacrifice dignity upon the altar of hypertrophy. Popularized by Arnold Schwarzenegger—who sometimes performed the exercise with one or two training partners literally sitting on his lower back—it required the lifter to bend forward at the waist while rising onto his toes under load, resembling less a Greek god than a hardworking mule carrying humanity’s collective insecurities. To the uninitiated, it looked like an elaborate fraternity prank. To serious bodybuilders, however, it was sacred doctrine. There existed an unshakable belief that any exercise capable of making you look completely ridiculous was almost certainly producing extraordinary results.

    As a teenage bodybuilder in the 1970s, I encountered the Donkey Calf Raise long before I ever attempted one. It appeared in magazine after magazine beside Arnold and the era’s other legends. Performing it was more than an exercise. It was a catechism.

    It announced your membership in the tribe.

    Mention the Donkey Calf Raise to a poseur and he would blink at you with the vacant expression of someone who had wandered into the wrong religion. The authentic bodybuilder, by contrast, knew exactly what you meant. He had suffered through it himself. Shared absurdity had become shared identity.

    That is how rituals work.

    Their power lies not in their efficiency but in their ability to bind strangers into a community through shared sacrifice. The Donkey Calf Raise built more than calves. It built belonging.

    I remember those rituals with genuine affection, though I harbor no illusions about what followed.

    The Donkeys eventually disappeared.

    The needles arrived.

    Performance-enhancing drugs gradually replaced eccentric exercises as the primary badge of authenticity. The gym atmosphere changed with them. What had once resembled a fraternity of disciplined eccentrics increasingly resembled an arms race conducted by chemically inflated men stalking the weight room in genie pants, glaring suspiciously at one another, each convinced that everyone else was simultaneously inferior and somehow cheating. The laughter diminished. The paranoia increased. That was when I quietly exited the bodybuilding world.

    Religious rituals, by contrast, possess remarkable staying power.

    Church picnics. Bingo nights. Food drives. Car washes. Bowling leagues. Litter cleanups. Potlucks where every casserole has a family history longer than some civilizations. The specific theology may evolve, but the rituals endure because they satisfy permanent human needs: fellowship, continuity, service, and shared purpose.

    The Donkey Calf Raise enjoyed no such immortality.

    Spot a group of lifters performing Donkeys in a commercial gym today and your first instinct would not be admiration. You would assume someone was filming a comedy sketch. The ritual has become unintelligible because the culture that gave it meaning has vanished.

    That realization reminds me that when I say I loved bodybuilding, I am speaking of a particular moment in its history, not the entire enterprise. The 1970s were its Golden Age—a peculiar blend of discipline, camaraderie, eccentricity, and optimism. Later decades often replaced those virtues with pharmacology, narcissism, and escalating displays of reckless bravado.

    Since 2005 I have trained alone in my garage, accompanied by talk radio, podcasts, and audiobooks. I enjoy the solitude. It allows me to think.

    But I have no romantic delusion that solitary exercise is equivalent to belonging.

    A garage gym can strengthen the body.

    It cannot replace the tribe.

    That is why Harris and de Botton are right. Human flourishing requires more than correct ideas or optimized routines. We long for rituals that make us feel part of something larger than ourselves. The Donkey Calf Raise, absurd as it looked, accomplished precisely that. It was a sacrament disguised as an exercise, a ridiculous little liturgy through which a generation of young men found fellowship, identity, and, if only for a moment, the comforting illusion that they were carrying one another’s burdens instead of merely someone sitting on their backs.